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Neither "Staying Power" nor Hot Space were well regarded. Unfortunately, and maybe predictably, that didn't happen. Mercury then seems to challenge his own fans with the chorus of " you and me got staying power": No matter what they think of this new direction, they'd be foolish to think that Queen can't ride it through to success.
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The lyrics reinforce this with a series of sexual double-entendres. "Staying Power" was electronically-driven, rhythm-oriented, and seemingly meant to be played in a disco rather than at a rock show. From there, the song unfolds into something that totally divergent. Immediately after Mercury slides into the vocals, an up-tempo funk/pop horn section arranged by longtime Atlantic Records producer Arif Mardin leaps in behind him. The next element of "Staying Power" finished pushing the single out onto the dance floor. (Drummer Roger Taylor did the honors, on a Linn LM-1 drum machine.) This was drastically different: a band that prided itself on its accomplished musicianship had decided to go in an entirely new direction. Instead, Queen was using a programmed track.
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So, it was immediately clear that a musician wasn't playing. Listen to Queen's Studio Version of 'Staying Power' The latter features a cow bell and the era's signature snaky drum noise that registers somewhere between the sound of a snare and a high hat. "Staying Power" begins things with an '80s-style cheese-funk bass line (actually played by lead singer Freddie Mercury on a synth) and a disco-style drum beat. But what they got was something entirely different: a slap-in-the-face reminder that a new decade had arrived and was pulling everything into its gravitational field. It's reasonable then to assume that a listener laying Hot Space onto their turntable might be expecting more of the same hard rock with a twist. They followed this up with the quirky, wonderful soundtrack to the film Flash Gordon, which was maybe the most high-camp, operatic work Queen had ever released. charts and eventually selling more than 4 million copies, despite the fact that it featured a more pop-oriented sound and introduced that most-'80s of instruments into the band's repertoire for the first time: the synthesizer. The Game was a smash hit in 1980, hitting No.
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